I don't know how much of what he was telling me was the truth. Stiller: I found him to be very forthcoming and basically said, like, "What do you want to know?" And we talked for about almost six hours. I just didn't want to deal with her drama, really. But also, having talked to some of these different people who had worked with her, they said that she's very litigious and always threatening people. I also think that she victimized others, so it was sort of a mixed bag of tricks.Īrquette: No, I actually didn't want to meet her, because I'd seen the Matt Lauer interview and I saw her lie in that - which is interesting as an actor, to watch someone lie. I think that a lot of the guys that are in prison are hustlers and charmers, and it's part of how they've survived. I mean, I do think that she was manipulated. Martin: Did you think of her as a victim?Īrquette: Not really. A part of her is being seen and loved by each of these different men. And having talked to one of the writers, he saw Tilly sort of as a woman who loves too much - that sort of love-addict personality. I wanted to work with Ben and I just thought-Īrquette: Exactly. It is, by its conclusion, finally gripping.Though best known as a comedic actor, Ben Stiller directed the Showtime drama series Escape at Dannemora.Īrquette: Well, it was really beautifully written. Those familiar with the story as it happened in life will know how it ends, but when Escape at Dannemora truly gets going, that barely matters. By the time Michael Imperioli shows up as governor Andrew Cuomo, it is as if someone has stepped on the accelerator, and the chase, at long last, is on. These two final episodes just about make it feel as if the investment has been worthwhile. We know that Matt and Sweat are serving life, and have some idea why, but to take a step away from the slow buildup to show the circumstances of their incarceration was as if the lines had been suddenly filled with colour. But the penultimate episode lurches backwards, to show the pasts of these three central players, who so far have been fixed only in the present. Everything takes a painful amount of time to move forward. It practically bathes in long, expressive shots. Until the end of the fifth episode, there was a voice in my ear whispering: wouldn’t this have been better as a film? It looks like a film. ![]() As Mitchell grows increasingly exasperated with her earnest, devoted husband, she announces, “You know every winter you hear of some guy who drops dead shovelling his driveway? Why can’t that ever be Lyle?” (Poor Lyle, who is such a caricature of a country bumpkin that you wonder if he’s wandered in from the set of a comedy filming nearby.) But for all the heaviness and grit, there are moments of levity. ![]() They are uncomfortable exchanges of power and recklessness, of unspoken obligations, on both sides. Stiller never flinches from the bluntness of their hurried sexual encounters with Mitchell, which are essentially leverage for their plan, though there are hints that there is more under the surface for her and Sweat. Del Toro is the preening old-timer whose surface charm reels plenty into his circle Dano is the wiry hard worker, the underdog who forces the plot to life. Photograph: Wilson Webb/Showtimeīenicio del Toro and Paul Dano are impressive, too, as Matt and Sweat, though both play more to their usual types. Impressive turns … Benecio del Toro and Paul Dano Escape at Dannemora. Prison is boring and repetitive, and it makes that point well, but even so I imagine its slow burn would work more effectively weekly than gobbling it all up at once. ![]() It is slow to the point of inertia two episodes in, they are only just starting to think about the plan. The whole thing is now on Sky Atlantic – seven episodes of it – but it is one of those rare contemporary dramas that is ill-suited to binge-watching, and might be better to take at a more leisurely pace. ![]() It was such an audacious feat that its dramatisation was inevitable, and this is an elegant, if meandering, take on the affair. Richard Matt and David Sweat, both murderers serving life sentences, pulled off the unthinkable and managed to cut through pipes and walls in order to escape. In 2015, two inmates broke out of a maximum security prison in upstate New York. Some of those portrayed in the series have publicly denounced Stiller’s vision of events, though, it should be said, they have been unable to actually see it, given their current situations. Patricia Arquette has won every award going for her portrayal of Joyce ‘Tilly’ Mitchell, the civilian who ran the prison sewing factory, and whose involvement with the men under her charge went beyond mere supervision. It’s been difficult to escape from Escape at Dannemora (Sky Atlantic), the tale of an astounding real-life prison break that marks Ben Stiller’s TV-directing debut.
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